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In 1917 Paul Strand said that if one were to use photography honestly he must have "a real respect for the thing in front of him," which he would express "through a range of almost infinite tonal values which lie beyond the skill of human hand." Paul Strand (1890-1976) was introduced to photography as a high school student at New York City's Ethical Culture School where he studied with Lewis Hine. Very close in his beginnings to photographers like A. Stieglitz or L. Hine, Paul Strand soon absorbed the characteristics of the social and documentary photography of the early 20th century to start a unique trajectory from which some of the foundations of the modern photography are based. If we had to summarize the history of photography in 10 images, Blind woman (1916) would undoubtedly be Paul Strand began photographing in New York in the 1910s. During the early 1920s he received recognition for both his painting and his photography. He visited New Mexico in 1926 and, beginning in 1930, returned for three consecutive summers, making portraits of artist friends and acquaintances.

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As a youth, he studied under Lewis Hine at the Ethical Culture Fieldston School, going on to draw acclaim from such illustrious sources as Alfred Stieglitz and David Alfaro Siqueiros. - Paul Strand - "The Art Motive in Photography" in 1923, British Journal of Photography , Page: 613 The camera machine cannot evade the objects which are in front of it. When the photographer selects this movement, the light, the objects, he must be true to them. And a text on “Aperture Masters of Photography - Paul Strand” says that “ In 1919 Strand began experimenting with a large format view camera and by 1921 it was his chief instrument…he now exclusively made contact prints the same size as the 8 by 10 inch negatives, bringing a clarity and sharp focus that he would come to view as essential in photography” Se hela listan på biography.yourdictionary.com PAUL STRAND, Young Boy, Gondeville, Charente, 1951, Platinum-palladium print, authorizing seal of Paul Strand Archive, Edition of 250, printed later , 20 x 16 inches Se hela listan på encyclopedia.com This month, the V&A presents the first retrospective of the American artist, Paul Strand, in the UK for over 30 years. Revered as one of the greatest photographers of the 20th century, Strand carved out such a unique path, that his work is looked upon as the blueprint for the way fine art and documentary photography is understood and practiced today.

Paul Strand (1890 –1976) was an American photographer and filmmaker who, along with fellow modernist photographers like Alfred Stieglitz and Edward  Paul Strand was one of the great photographers of the twentieth century. As a youth, he studied under Lewis Hine and went on to draw acclaim from such  2015-nov-15 - 1915 Paul Strand Wall Street | Artist details Paul Strand - artist, news & exhibitions - photography Paul Strand (American, 1890–1976), Side Porch, Vermont, 1947 (negative) / early to mid-1980s (print), gelatin silver print, 9 5/8 × 7 5/8 inches. Philadelphia  2019-maj-08 - | Rebecca Strand fotograferad av Paul Strand.

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Paul Strand (October 16, 1890 – March 31, 1976) was an American photographer and filmmaker who, along with fellow modernist photographers like Alfred Stieglitz and Edward Weston, helped establish photography as an art form in the 20th century. In the 1930s, he helped found the Photo League. paul strand - abstract photography Born 1890 in New York city, Paul Strand is considered an influential photographer and an early icon of the 'straight photography' school. When he was 17 he began to study photography with Lewis Hine, who was later noted on his photographs of industrial workers and immigrants.

Paul strand photography

Hans Strand @hansstrandofficial • Instagram photos and

Paul Strand, (born October 16, 1890, New York, New York, U.S.—died March 31, 1976, Oregeval, France), photographer whose work influenced the emphasis on sharp-focused, objective images in 20th-century American photography. Paul Strand was an American artist who made significant contributions to the canon of 20th-century photography. Strand’s breadth of skill in the medium are exemplified both in his abstraction of architecture and shadows in Wall Street (1915) and his empathetic documentation of society in Blind (1916). It marked a clear departure from a style of soft-focused Pictorialism (practiced hitherto by Strand) whereby the photographer used a camera and dark-room manipulation to produce images that mimicked that rather unfashionable (by modernism's standards) painting style. Paul Strand was born in New York City. As a teenager, he was a student of renowned documentary photographer Lewis Hine at the Ethical Culture Fieldston School.

Paul strand photography

Wall Street. Wall Street is an historically significant image, both for Strand and for the development of photographic art. It marked a clear departure from a style of soft-focused Pictorialism (practiced hitherto by Strand) whereby the photographer used a camera and dark-room manipulation to produce images that mimicked that rather unfashionable (by modernism's standards) painting style. Paul Strand searched for a higher truth using the camera machine to capture life. Considered a master and one of the initial contributors to the modern art era not only by his “straight” use of the camera but also by what and how he photographed. Paul Strand was inducted into the International Photography Hall of Fame and Museum in 1984. paul strand - abstract photography Born 1890 in New York city, Paul Strand is considered an influential photographer and an early icon of the 'straight photography' school.
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Paul strand photography

Aesthetically, the two men represented nearly opposite  Mar 16, 2016 After helping to define modernism with his shots of New York, Paul Strand went to Italy to make political work about everyday people.

Moving pictures photography and film in contemp . Paul Strand sixty years of photographs : erxcer .
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The Best 10 Photographers near Fotograf Joachim Lechte in

Considered a master and one of the initial contributors to the modern art era not only by his “straight” use of the camera but also by what and how he photographed.